con • sens •
us acknowledgements:
SOURCES
con·sens·us draws extensively from contact-improvisation, Boal-work, and several other meetings & encounters...
great
thanks & respect to Elaine Summers
and her magnificent pioneer work
in choreography and intermedia,
including her extraordinary technique Kinetic
Awareness®
her dances Invitation to Secret
Dancers,
Circle Dance
with Balloons,
Buttons and
Buttonholes, and Walking Dance for Any
Number (among many others)
were used extensively and
gave a great inspiration during this series.
equally
instrumental
were
the concepts
of responsible anarchy and
ethical reformation
both coined by
Mary O'Donnell-Fulkerson from many years of her
work in Release, plus her teaching of Open Form Composition.
finally, the
system of the Six Viewpoints as
originated by Mary Overlie (also developed by Anne Bogart / SITI-company)
provide an extra framework of orientation and to create successfully in a situation.
LINKS
thanks to the following individuals and organisations for support /
co-production:
-
Elaine Summers Dance
& Film Company / Kinetic Awareness®
Center New York
- Corien van der Poll, Stichting Epicentrum,
Arnhem
- Saco Bekius, Stichting Akasha, Arnhem
- Mary
O'Donnell-Fulkerson Release
- Mary Overlie Six Viewpoints
- Ingrun Schnitzler, Eva Karczag, Luz da Camera, Donald Springer Claudia
Heu, Andreas
Simon
- Daniela Swarowsky, ZiM (Zwaanshals / Zenith in Motion),
Rotterdam
- Christine De Smedt, Les
Ballets Contemporains de la Belgique Gent (permission for score from 9x9 developed with Marten
Spångberg)
- Cuartito Azul
Rotterdam
-
Amanda Rouse, Arturo Vidich,
Doron Hanoch, New York
- Mirta Demare, organisation of Perambulação, gallery Mirta Demare
Rotterdam, Aharona Israel, Geeske Kanters
- Ludger F.J.
Schneider & Donatella
Chiancone-Schneider, Cologne
- Nora de Baan, Squatdeluxe, Miquel de Jong /
two2move dance
company, Lydia Mueller
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